Available Light

At the Hamilton Institute Christmas Party, Porterhouse, Dublin, 2008

Last night was the Christmas Party of the place I work, the Hamilton Institute. We all took the train into town, went to the Porterhouse, and pretty much just got p***ed.

As it was a foreseeable time of happiness and merriness, I decided to bring my camera and snap some shots of the people I work with, but in a more relaxed and cosy setting. The problem with most pubs is that although they are beautifully lit they are usually very dark places, so the only choice was to mount my precious little 50mm ƒ/1.4 prime lens — the classic, standard lens in pretty much any camera system. Mine is over 20 years old! It has two main advantages: its focal length is very close to the human eye’s focal length (i.e. the pictures look and feel like seen in reality), and it is a very “bright” lens meaning that it allows more light than usual to enter the camera. This allows you, together with a high ISO, to work with the available light, so that no flash has to destroy the atmosphere. Also, at ƒ/1.4 you have a very limited depth of field, which isolates your subjects from any distracting background.

The rest of the of the photos from the evening can be seen here.

Sunrise over Halong Bay

Sunrise over Halong Bay, Vietnam, 2008

Steffi and I were doing a three day boat tour in the famous Halong Bay and, when you’re at at see, one of the best things are the sunrises (and sunsets). We had missed the sunset the previous day so I definitely wanted to see the sunrise…

Since for the most parts of our trip we / I usually got up about 5:30 am (that’s when the roosters [ok, not out on the sea] politely ask you in their language to stop sleeping), this was no problem.

So up I went on deck, took a few wide-angle shots, but then got out the tele just in time to take this shot. I couldn’t have gotten a better view. The little fishing boat — as if someone had arranged for it to be there!

There rest then was just a no-brainer. The good old Rule of Thirds for the composition, and some (negative) exposure compensation to preserve the highlight details in the reflection on the water (otherwise it would have blown out). This is definitely one of my favourites from the whole trip.

Chaos in Laos

Inside a sawngthaew, Laos, 2008

Alright, alright, it’s taken a long time, I know. And I’m sorry! Really! The reason why I took so long to update this blog is that I had so much other stuff to do (seriously) that I only managed to finish post-processing the photos from our big trip today, almost 3 weeks after we got back!

Anyway, without further ado, let’s get back to business. This photo I took secretly in/on a “sawngthaew” (literally “two rows”), one of the main forms of transportation in Laos. These are basically just a pick-up truck with two benches on the back and a roof over them, like so.

The funny thing about them is that they transport anything. Anything. [Note for example the duck on the floor]. And you wouldn’t believe how much quantity of anything. If you think it’s full, it’s not. However, even if it’s cramped, it’s a cheap way to get around and has a certain adventurous flavour to it.

Photographically, I used my wide angle for this shot to capture as much as possible of the confined space. Since I took the photo secretly, and it was a rather challenging lighting situation, I had set the camera to automatic bracketing, making it take 5 pictures in quick succession at different exposures, so that I could then choose the best exposed one.

Holidays

Ok, there’s not too much depth to this. I guess, only the German speaking readers will get this ;-)

Steffi and I are going on our “big holidays” for this year, this time it’s Vietnam, Laos and Cambodia. If everything goes well, we should be back mid-November.

In the meantime, enjoy yourselves and be good,

Florian

Autumn Leafs II

Autumn Leafs II, Maynooth, 2008

Even though the last few days it was absolutely p***ing down, this morning we were blessed with just pure sunshine. Fortunately I still had my camera in my backpack so I just spent 20 minutes outside the office taking autumn pictures.

The colours of the trees and leafs are even more extreme than last week, and together with the blue sky (as I said, a rarity around here) and my friend the polarising filter I just went mad on the hunt for interesting angles with exploding colours and contrasts.

I’ll hopefully get around posting some of the other pictures I took this morning on my flickr account. I’ll let you know. Now back to work.

Update: More autumn-y photos now here.

It’s Elvis!

Portrait of Elvis (impersonator), Maynooth, 2008

Same lens, completely different situation.

This time, it’s all about event photography. Last year the Gospel Choir (which I’m part of) had a gig with two impersonators (Elvis, and Tina Turner). During the bits where we sang with them (photos here) I got the chance to take some photos myself of those two professionals doing their job — great singing, and dancing, and looking like the original.

Being part of the “crew” I could pretty much go anywhere I wanted during the show, which also means backstage. That’s how I got this nice angle. Obviously I had to shoot wide open with a fairly high ISO to avoid too much motion blur in those lighting conditions. Again, the burst trick really helped to get some crisp shots. Another benefit of this technique is that you usually get a lot of funny faces when someone is singing (or talking for that matter), so getting several shots in a row allows you to select the nicer ones ;-)

Drops on Apple

Drops on Apple, Maynooth, Ireland, 2008

Just as a big Californian company is releasing new products as we speak, let’s go back again to a purely “photographic” entry.

This shot was a bit of an experiment… Inspired by this post in the amazing Digital Photography School blog, I wanted to take a photo involving water drops. For the set-up of the shot, check out this “making of” photo.

The apple was placed on a glass in a sink where I “fine tuned” the tap so that only a small volleys of drops would come out every now and then. If you look at the aperture and the exposure time, you’ll see that the ambient light couldn’t possibly influence the shot. That’s why the background appears completely black. The reason for these extreme settings was to achieve exactly that, to freeze the motion as good as possible and to have a large enough depth of field in this rather macro-y situation.

Lighting. As you can see in this shot, the only light here was coming from an external flash (triggered wirelessly), a mirror (to bounce some of the light back) as well as two improvised reflectors. After fiddling with the exposure parameters and arranging the reflectors, I took about 20 shots trying to get the timing right with the drops randomly coming out of the tap (which is harder than you’d think). In the end, I was really happy with the outcome, I got pretty much exactly what I wanted.

PS: Thanks to Kfir (my office-mate) for borrowing me an apple — I’m allergic to them, so I returned it after the shot :-)

Mean Machine

Mean Machine, Maynooth, Ireland, 2008

Last night, someone privately pointed out to me that it seems that the stuff I’m posting here I just make up as I go along.

That is correct.

And that some things I say are hardly relevant to the photo presented.

That is correct too.

Anyways, this photo is another “fresh” one, I took it last Sunday when we (NUIM Volleyball Club) had our first two games here in Maynooth, as part of the Men’s National League 2nd Division.

We got our arses beaten all over the place (here‘s an account of our heroism), losing both games. However, it was great fun nevertheless, and we’re just in there for the craic and the training effect (we don’t have a coach, and are just barely enough players to form a team!). No one had any ambitions of winning anything, so there were no tears shed.

Also, no one got hurt, which is surprising, because one of the teams was made up entirely of “killing machines”. Take this guy in the photo, who regularly spiked super-sonic balls over people trying to block him (he was a giant). During those balls he regularly deformed the space-time-continuum, as can be witnessed in the shot… More photos from the event here.

Vazul

Portrait of Vazul, Maynooth, 2008

Last semester, when I still lived on campus, one of my lovely flatmates (Nancy from Austria) often had another friend of hers / mine over, Vazul (Austrian too). Just day I had read about “Jowlers“, check out the link, so I asked Vazul if he’d be in for trying it out.

Unfortunately, in the end it didn’t work out as desired (at least the shots didn’t really look cool). However, in the process of setting up / configuring the gear I got this interesting shot :-)

To get this look (which pretty much invited itself by the chemical green paint of our creepy kitchen, as well as Vazul’s tough-boy expression), I desaturated the reds and the yellows (while boosting the oranges a bit) and drastically reduced the brightness values of these colours, all in LightRoom. This is how you can get some nice, strong, rough texture out of the skin (do the opposite if you want to make it look more smooth). To increase the effect, I applied some hard core sharpening to the final image.

Some say, Vazul never looked so “manly”… all I know is that I just love this shot. So Kudos and thanks to Vazul (wherever you are now)!

Old gentleman

Old gentleman in St. Patrick's Park, Dublin, Ireland, 2008

I just noticed that until now I’ve posted anything but portraits. So let’s change that.

Today’s picture is one I took in July this year, when Steffi and I spent a wonderful afternoon in Dublin. The weather was great, so we went for a stroll around the city and passed through St. Patrick’s Garden, which is right next to the St. Patrick’s Cathedral, the biggest church in Ireland.

In the park, there was that old man just enjoying himself, his newspaper, the beautiful weather (rare enough), his grandchildren speeding about the park, or probably a mix of all that. He looked so happy and relaxed that I worked up the courage to go over and ask him politely if he’d mind if I photographed him. He smiled, said he did not at all and wondered where / how best to look. I told him “just as you did before, as if I wasn’t here”. And so he looked back at his grandchildren …

The post-processing of this picture involved a lot of cleaning up of the ground underneath the bench (mostly using the clone-stamp tool) and of course the b/w conversion (giving more weight to the red channel, as it had most of the contrast). Some careful sharpening and a bit of black clipping (to further boost contrast) gave the final image.